BHIMBETKA ROCK SHELTERS


  • Bhimbetka Rock Shelters
The Bhimbetka rock shelters are an archaeological site of the Paleolithic, exhibiting the earliest traces of human life on the Indian Subcontinent, and thus the beginning of the Indian Stone Age. It is located in the Raisen District in the Indian state of Madhya Pradesh, near Abdullaganj town and inside the Ratapani Wildlife Sanctuary. At least some of the shelters were inhabited by Homo erectus over 100,000 years ago. Some of the Stone Age rock paintings found among the Bhimbetka rock shelters are some 30,000 years old. The caves also deliver early evidence of dance. They were declared a World Heritage Site in 2003.The name Bhimbetka  is associated with Bhima, a hero-deity of the epic Mahabharata. The word Bhimbetka is said to derive from Bhimbaithka, meaning "sitting place of Bhima". The Rock Shelters of Bhimbetaka (or Bhim Baithaka) lies 9 km from Obedullaganj city in the Raisen District of Madhya Pradesh and 45 kilometers south of Bhopal at the southern edge of the Vindhya hills. South of these rock shelters are successive ranges of the Satpura hills.The entire area is covered by thick vegetation, has abundant natural resources in its perennial water supplies, natural shelters, rich forest flora and fauna and bears a striking resemblance to similar rock art sites such as Kakadu National Park in Australia, the cave paintings of the Bushmen in Kalahari Desert and the Upper Paleolithic Lascaux cave paintings in France.The rock shelters and caves of Bhimbetka have a large number of paintings. The oldest paintings are considered to be 30,000 years old, but some of the geometric figures date to as recently as the medieval period. The colors used are vegetable colors which have endured through time because the drawings were generally made deep inside a niche or on inner walls. The drawings and paintings can be classified under seven different periods.Period I - (Upper Paleolithic): These are linear representations, in green and dark red, of huge figures of animals such as bisontigers and rhinoceroses.Period II - (Mesolithic): Comparatively small in size the stylised figures in this group show linear decorations on the body. In addition to animals there are human figures and hunting scenes, giving a clear picture of the weapons they used: barbed spears, pointed sticks, bows and arrows. The depiction of communal dances, birds, musical instruments, mothers and children, pregnant women, men carrying dead animals, drinking and burials appear in rhythmic movement.Period III - (Chalcolithic) Similar to the paintings of the Mesolithic, these drawings reveal that during this period the cave dwellers of this area were in contact with the agricultural communities of the Malwa plains, exchanging goods with them.Period IV & V - (Early historic): The figures of this group have a schematic and decorative style and are painted mainly in red, white and yellow. The association is of riders, depiction of religious symbols, tunic-like dresses and the existence of scripts of different periods. The religious beliefs are represented by figures of yakshas, tree gods and magical sky chariots.Period VI & VII - (Medieval) : These paintings are geometric linear and more schematic, but they show degeneration and crudeness in their artistic style. The colors used by the cave dwellers were prepared by combining manganesehematite and wooden coal.

Comments