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The Bhimbetka
rock shelters are an archaeological site of the Paleolithic,
exhibiting the earliest traces of human life on the Indian Subcontinent, and thus the beginning of
the Indian Stone Age.
It is located in the Raisen District in
the Indian state
of Madhya Pradesh, near Abdullaganj town and
inside the Ratapani Wildlife Sanctuary. At least some
of the shelters were inhabited by Homo erectus over
100,000 years ago. Some of the Stone Age rock paintings found
among the Bhimbetka rock shelters are some 30,000 years old. The caves
also deliver early evidence of dance. They were declared
a World Heritage Site in 2003.The name Bhimbetka
is associated with Bhima, a
hero-deity of the epic Mahabharata. The
word Bhimbetka is said to derive from Bhimbaithka,
meaning "sitting place of Bhima". The Rock Shelters of Bhimbetaka (or
Bhim Baithaka) lies 9 km from Obedullaganj city
in the Raisen District of Madhya Pradesh and
45 kilometers south of Bhopal at
the southern edge of the Vindhya hills.
South of these rock shelters are successive ranges of the Satpura hills.The
entire area is covered by thick vegetation, has abundant natural resources in
its perennial water supplies, natural shelters,
rich forest flora and fauna and
bears a striking resemblance to similar rock art sites such as Kakadu National Park in Australia,
the cave paintings of the Bushmen in Kalahari Desert and
the Upper Paleolithic Lascaux cave paintings
in France.The
rock shelters and caves of Bhimbetka have a large number of paintings. The
oldest paintings are considered to be 30,000 years old, but some of the
geometric figures date to as recently as the medieval period.
The colors used are vegetable colors which have endured through time because
the drawings were generally made deep inside a niche or on inner walls. The
drawings and paintings can be classified under seven different periods.Period I - (Upper Paleolithic):
These are linear representations, in green and dark red, of huge figures of
animals such as bison, tigers and rhinoceroses.Period II - (Mesolithic):
Comparatively small in size the stylised figures in this group show linear
decorations on the body. In addition to animals there are human figures and
hunting scenes, giving a clear picture of the weapons they used: barbed spears, pointed
sticks, bows and arrows. The depiction of communal
dances, birds, musical instruments, mothers and children, pregnant women, men
carrying dead animals, drinking and burials appear in rhythmic movement.Period III - (Chalcolithic)
Similar to the paintings of the Mesolithic, these drawings reveal that during
this period the cave dwellers of this area were in contact with the agricultural
communities of the Malwa plains,
exchanging goods with them.Period IV
& V - (Early historic): The figures of this group have a
schematic and decorative style and are painted mainly in red, white and yellow.
The association is of riders, depiction of religious symbols, tunic-like
dresses and the existence of scripts of different periods. The religious
beliefs are represented by figures of yakshas,
tree gods and magical sky chariots.Period
VI & VII - (Medieval) : These paintings are geometric
linear and more schematic, but they show degeneration and crudeness in their
artistic style. The colors used by the cave dwellers were prepared by
combining manganese, hematite and
wooden coal.
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